Showing posts with label Yves Klein blue. Show all posts
Showing posts with label Yves Klein blue. Show all posts

Monday, July 29, 2013

First there is nothing, and then there is a deep nothing, and beyond that there’s a deep blue.

Lord Pudding in Yorkshire reports that he is blue at the prospect of turning 60 in the fall, and Carol in Cairns (which is in Far North Queensland, you know) is reflecting on turning 50 soon, saying, “I have raised my son on my own and he is finishing school this year, so what about me now?” (I can’t tell whether she is feeling blue too or merely being petulant.)

But where does that leave me, your ever-faithful correspondent, at 72 and 1/3, I ask you? Very blue? Over the hill, even?

Nah.

If I were going to be blue, I would want to go whole hog and be Yves Klein Blue (4:45). (Warning: There may be a bit of nudity in that clip.)

On the one hand, you can be very hot Yves Klein Blue as in this rock band of that name from Australia (4:09). (Warning: There may be a bad word or two in that clip, but the lyrics go by so fast it’s really difficult to tell.)

On the other hand, you can be very cool Blue Yves Klein as in this jazz offering (5:41). (Warning: There may be a bit of nudity in that clip too, but most of it is chiseled in stone.)

There really are no other choices. Just very hot Yves Klein Blue or very cool Blue Yves Klein.

Oh, wait, there is also Far North Queensland...


...where Cairns is several other shades of blue (click to enlarge):

(Image by Frances76, published in accordance with the GNU Free Documentation license, Version 1.2)

I have no idea what this post means.

But it doesn’t have to have meaning.

It just is.

[Editor’s note. In the void -- the deep, blue void -- created in our corner of Blogland by the sudden and unexpected hiatus that began on 5 May last of Katherine de Chevalle, our artist friend in New Zealand (her blog is called The Last Visible Dog), this post is presented in the fervent hope that she will soon return to these environs to instruct us more properly in the visual arts so that all of us, in turn, can extricate ourselves from our deep, blue malaise. --RWP]

Thursday, May 23, 2013

Showing you that poem about Sarah Cynthia Sylvia Stout yesterday made me think of...

...an old poem of mine that never saw the light of day. It has been in a drawer for a very long time, by which I mean since the 1990s. I’m not even sure it is finished. For better or worse, here it is:


The Rather Odd Story Of Iris McGee
by Robert Henry Brague


In a house at the edge of a deep, dark wood,
Near the place where Irene’s castle once stood,
There lived a young woman named Iris McGee.
She washed clothes on Mondays from seven to three;
On Tuesdays she ironed, then opened her mail;
On Wednesdays she waxed all the floors without fail;
On Thursdays she dusted and made up her bed;
On Fridays she painted the living room red;

On Saturdays, wearing a white wedding gown,
She drove a green tractor six miles into town,
Ate lunch at the deli and bought some new shoes,
Attended a concert, and paid union dues,
And waved at the townfolk, who thought her quite odd.
On Sundays that rained, she would think about God.
On Sundays with sun, she would sleep until eight,
Then go to her garden and swing on the gate;

She’d talk to the squirrels and prune a few trees,
For these were traditions among the McGees.
Now Iris, not one to break with tradition,
Was the twelfth in her family to hold the position
Of “Ringer of Bells and Singer of Blues”
At the church two blocks east of the place she bought shoes.
She loved ringing bells, but the blues made her cry,
So she thought and she thought till she thought she knew why:

The bells gave her joy but the blues made her sad;
The blues made her cry but the bells made her glad!
So one Sunday, early, she told them the news:
She’d gladly play bells, but she’d sing no more blues.
It caused a great stir when the church heard about it,
But she said, “Sing the blues? I most seriously doubt it!
I can’t sing sad songs when my joy is so full!
I’m off to the belfry the bell ropes to pull!”

She climbed up the staircase and started to play,
And the townfolk said, “Iris is happy today!”
They started to hum and they started to smile,
And at the bus station they stood single file
With never a murmur at having to wait
For a bus that was always a half-hour late
(It took them to jobs in the next county over
Where they packed jars of honey from local-grown clover),

And even the corner policeman was singing,
For Iris McGee was again at her ringing.
For Iris had told them, “This day you must choose.”
And never again did the townfolk hear blues.
She rang all the bells till no more could be found;
She rang them each day until joy did abound,
And the townfolk, with laughter and joy their hearts brimming,
Left off riding buses and took up team swimming.


The moral of this poem might be “It is possible to have too much of a good thing.”

Or it might be “My mama done tol’ me, when I was in knee-pants, My mama done tol’ me, Son, a woman’ll sweet talk and give ya the big eye, but when the sweet talkin’s done, a woman’s a two-face, a worrisome thing who’ll leave ya to sing the blues in the night.” (Don’t send your complaints to me, send them to Johnny Mercer.)

Or the moral of this poem might be “Never try to make sense when you can leave your readers thoroughly confused.”

For a complete change of pace, read this.

Or perhaps you’d prefer to stare at a swatch of Yves Klein blue for a while.

Thursday, May 22, 2008

Please have your boarding passes ready

Papy Biou, the creator of that French-language blog where I found the beautiful blue flower I posted about on May 13th, tells me that the particular blue about which I was curious comes close to being “bleu Klein,” explaining further that Klein was a French painter (1928-1962) famous for his monochrome realizations based on that particular blue. Only Papy said it in French (“peintre français (1928-1962), célèbre pour ses monochromes réalisés sur la base de ce bleu particulier”).

I know about Renoir and Degas and Monet and Toulouse-Lautrec, but I had never heard of Klein. So I looked him up by entering “Klein” and “+blue” into Google and found myself reading all about Yves Klein Blue, except that the Yves Klein Blue I was reading about is a rock band based in Brisbane, Australia. Oops. But I am a quick learner, and I understood instantly that a great many people know about Yves Klein, about the particular color called Yves Klein blue, and about esoterically-named rock bands on the international scene, and furthermore that I knew nothing about any of them. Surfing the Internet can be a humbling experience.

So for a very interesting Wikipedia article about Yves Klein, please go to Gate 1 at this time. For Wikipedia’s article about International Klein Blue (IKB), please go to Gate 2. If you would like to stare at the color for as long as you like, go to Gate 3.

The color Yves Klein prized so highly is similar to one called synthetic ultramarine. By surfing some more I learned that the natural pigment ultramarine (from ultramarinum, which means “beyond the sea” in Latin) is produced by grinding up the lapis lazuli stone and has been found in cave paintings in Afghanistan temples dating back to the sixth and seventh centuries A.D.

Klein had gold and pink periods as well, and also used paint-covered nude models, both men and women, to produce both static and dynamic paintings he called anthropométries.

Armchair travel is so broadening.

<b>English Is Strange (example #17,643) and a new era begins</b>

Through, cough, though, rough, bough, and hiccough do not rhyme, but pony and bologna do. Do not tell me about hiccup and baloney. ...