...but it is the color/colour of the outfit she wore at my recent “retiring-as-pianist-but-not-leaving” reception:
...and of some of the icing on the cake:
...and of the pastor’s shirt and the bag the marginata plant was in (here are 3 views of each):
It was even incorporated into the lei and the paper napkins:
Green is also the color/colour of my newest favorite thing, a gardenia bush planted three years ago by our back door. People sometimes say of English ivy that the first year it sleeps, the second year it creeps, and the third year it leaps. This saying applies as well to our gardenia bush, because after two years of sleeping and creeping, it suddenly began blooming this month for the very first time. Today I counted eleven gardenias growing on it, but I couldn’t get them all in one photograph:
Note to my loyal readers: Although I have not yet turned into a doddering old fool, I am well on the way to becoming one.
You do not have to agree with me in the comments.
Hello, world! This blog began on September 28, 2007, and so far nobody has come looking for me
with tar and feathers.
On my honor, I will do my best not to bore you. All comments are welcome
as long as your discourse is civil and your language is not blue.
Happy reading, and come back often!
And whether my cup is half full or half empty, fill my cup, Lord.
Copyright 2007 - 2024 by Robert H.Brague
Friday, August 28, 2015
Thursday, August 20, 2015
A few of my current favorite things
1. At the retirement party last Sunday, each table was adorned with a bud vase containing red and yellow roses with baby’s breath. After the party, Suzi R. gathered them all up into two absolutely gorgeous bouquets and presented them to us. Here they are on the huntboard in our kitchen, along with a framed example of Mrs. RWP’s counted-cross-stitch embroidery and some of her mother’s crochet work under a pillar candle:
2. We received many beautiful cards as well as this beautiful marginata plant from Jane and Roger C. and a stunning terrarium from Tammy and Charlie H. that included a grand piano, a candelabrum worthy of Liberace, and even a little white dog. Do they know us or what?:
3. The cargo space of our new vehicle (new to us, anyway), a 2006 Nissan Murano:
4. An enormous biscuit (not to same scale as previous item) from Pappas’s Restaurant in New Smyrna Beach, Florida. I consumed this particular biscuit back in the first week of June, nearly three months ago, but -- as we all know -- nothing ever really goes away on the internet:
5. Mrs. RWP’s famous Cherry-Pineapple Dump Cake, the last piece of which I would have enjoyed at our church’s monthly fellowship luncheon if our friend Becky R. hadn’t got there first:
6. The non-politically-correct woman (no photo available) I met yesterday in a doctor’s waiting room (no photo available) who announced the following to the entire room after someone said the staff elevator had been acting up all morning:
“I would never get on that elevator. I hate elevators. If there is any chance I might get stuck in one, I will not get on it. And I won’t get on an elevator if more than eight people are in it. My children will tell you, when they were small they would count: 1, 2, 3, 4, 5, 6, 7, 8, Mama, we’ll have to wait for the next elevator. And I hate albinos. And midgets. And clowns. I’m afraid of them. I have a fear of albinos and midgets and clowns. Lord, if I got on an elevator and an albino midget clown walked in, I would probably drop dead right there.”
It was like something in a Flannery O’Connor short story. Her eyes grew big when I volunteered, “Perhaps you're attracting them.”
2. We received many beautiful cards as well as this beautiful marginata plant from Jane and Roger C. and a stunning terrarium from Tammy and Charlie H. that included a grand piano, a candelabrum worthy of Liberace, and even a little white dog. Do they know us or what?:
3. The cargo space of our new vehicle (new to us, anyway), a 2006 Nissan Murano:
4. An enormous biscuit (not to same scale as previous item) from Pappas’s Restaurant in New Smyrna Beach, Florida. I consumed this particular biscuit back in the first week of June, nearly three months ago, but -- as we all know -- nothing ever really goes away on the internet:
5. Mrs. RWP’s famous Cherry-Pineapple Dump Cake, the last piece of which I would have enjoyed at our church’s monthly fellowship luncheon if our friend Becky R. hadn’t got there first:
6. The non-politically-correct woman (no photo available) I met yesterday in a doctor’s waiting room (no photo available) who announced the following to the entire room after someone said the staff elevator had been acting up all morning:
“I would never get on that elevator. I hate elevators. If there is any chance I might get stuck in one, I will not get on it. And I won’t get on an elevator if more than eight people are in it. My children will tell you, when they were small they would count: 1, 2, 3, 4, 5, 6, 7, 8, Mama, we’ll have to wait for the next elevator. And I hate albinos. And midgets. And clowns. I’m afraid of them. I have a fear of albinos and midgets and clowns. Lord, if I got on an elevator and an albino midget clown walked in, I would probably drop dead right there.”
It was like something in a Flannery O’Connor short story. Her eyes grew big when I volunteered, “Perhaps you're attracting them.”
Monday, August 17, 2015
Retirement party
Yesterday the little Methodist church I attend put together a reception for me upon my retirement after five years as their pianist.
There is an old joke that “Old musicians never die; they just decompose.”
I will pause until the groaning stops.
In my own case, the following photograph is proof that I did not retire, I was lei’d off.
I hasten to add that I was neither “lei’d off” nor forced out. It was my own decision and completely voluntary. I started being a church pianist/organist when I was about 13 and I will soon be 75. With the possible exception of breathing, I think 62 years is enough time to spend on any activity.
Mrs. RWP and I are not leaving the congregation; I am merely stepping down from the weekly musical tasks. How could we leave the most loving people in the world?
Let the decomposing begin.
There is an old joke that “Old musicians never die; they just decompose.”
I will pause until the groaning stops.
In my own case, the following photograph is proof that I did not retire, I was lei’d off.
I hasten to add that I was neither “lei’d off” nor forced out. It was my own decision and completely voluntary. I started being a church pianist/organist when I was about 13 and I will soon be 75. With the possible exception of breathing, I think 62 years is enough time to spend on any activity.
Mrs. RWP and I are not leaving the congregation; I am merely stepping down from the weekly musical tasks. How could we leave the most loving people in the world?
Let the decomposing begin.
Sunday, August 9, 2015
Distant echoes, half-remembered hills
A poem I like a lot is “Song for Lost Youth” by one Neil Theasby of Sheffield, Yorkshire, England, United Kingdom, Europe, Earth, Solar System, Milky Way Galaxy, Universe. I liked the poem enough to add it a while back to my sidebar over on the right side of the screen.
If your eyeballs are simply too tired or too lazy to make the trip or you gave up scrolling for Lent and never resumed the practice, I have reproduced the poem below for your reading convenience:
Song for Lost Youth
Perhaps I should have cradled it
Like a dove
Kept it safe with tender love
But I squandered it -
Gushing-blundering-raging
Like a wild mountain stream
Desperate for an ocean
That was but a distant dream.
...I just never thought
That I could have loitered in the shallows
Reflecting the blueness of the sky
- Concealing silver fishes
- Quietly biding my time
- Stretching it out.
And so, and so it’s gone now
- My ephemeral youth
- That precious once only gift
- That honeyed sweetness,
Leaving only the trembling resonance
Of distant echoes
From half-remembered hills.
(Neil Theasby, 2013. Used by permission.)
You can have your Tennysons, your Byrons, your Whitmans, your Brownings. Today I’ll take Theasby. His poem resonates with me.
I think I have figured out why I like Neil’s poem so much. For me, it’s not just about youth. It’s about life.
I’m no spring chicken, and there are very few hills left for me. To be more accurate, probably none. On my next birthday -- still several months away -- I’ll be 75 years old. I’ve reached the coastal plain. I’m getting nearer to the sea all the time. I can feel the breezes. I can hear the sea birds. I can smell the seawater.
Some people say life is like climbing a mountain and that we struggle ever upward, surmounting obstacle after obstacle, until at last, after always ascending, we finally reach the summit. “Song for Lost Youth” turns that metaphor on its head and describes life as a descent instead, a headlong plunge that finds us cascading from the dizzying heights, ever downward, to the inevitable place where we join all who have come before us and all who will come after.
You have to hand it to poets. They can come up with some nifty metaphors.
For example, William Wordworth (1770 - 1850) wrote the following in “Ode on Intimations of Immortality From Recollections Of Early Childhood” about birth:
“Our birth is but a sleep and a forgetting:
The Soul that rises with us, our life’s Star,
Hath had elsewhere its setting,
And cometh from afar:
Not in entire forgetfulness,
And not in utter nakedness,
But trailing clouds of glory do we come
From God, who is our home:
Heaven lies about us in our infancy!”
...and William Cullen Bryant (1794 - 1878) wrote in “Thanatopsis” about death:
“So shalt thou rest -- and what if thou withdraw
In silence from the living, and no friend
Take note of thy departure? All that breathe
Will share thy destiny. The gay will laugh
When thou art gone, the solemn brood of care
Plod on, and each one as before will chase
His favorite phantom; yet all these shall leave
Their mirth and their employments, and shall come
And make their bed with thee. As the long train
Of ages glides away, the sons of men--
The youth in life’s fresh spring, and he who goes
In the full strength of years, matron and maid,
The speechless babe, and the gray-headed man--
Shall one by one be gathered to thy side,
By those, who in their turn, shall follow them.
So live, that when thy summons comes to join
The innumerable caravan, which moves
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not, like the quarry-slave at night,
Scourged to his dungeon, but, sustained and soothed
By an unfaltering trust, approach thy grave
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams.”
All that having been said, all those metaphors having gone under the bridge or over the dam or nighty-night to bed or down the trail with the camels (pick one), I hope to keep on breathing until I am 108 and outlive the lot of you.
If your eyeballs are simply too tired or too lazy to make the trip or you gave up scrolling for Lent and never resumed the practice, I have reproduced the poem below for your reading convenience:
Song for Lost Youth
Perhaps I should have cradled it
Like a dove
Kept it safe with tender love
But I squandered it -
Gushing-blundering-raging
Like a wild mountain stream
Desperate for an ocean
That was but a distant dream.
...I just never thought
That I could have loitered in the shallows
Reflecting the blueness of the sky
- Concealing silver fishes
- Quietly biding my time
- Stretching it out.
And so, and so it’s gone now
- My ephemeral youth
- That precious once only gift
- That honeyed sweetness,
Leaving only the trembling resonance
Of distant echoes
From half-remembered hills.
(Neil Theasby, 2013. Used by permission.)
You can have your Tennysons, your Byrons, your Whitmans, your Brownings. Today I’ll take Theasby. His poem resonates with me.
I think I have figured out why I like Neil’s poem so much. For me, it’s not just about youth. It’s about life.
I’m no spring chicken, and there are very few hills left for me. To be more accurate, probably none. On my next birthday -- still several months away -- I’ll be 75 years old. I’ve reached the coastal plain. I’m getting nearer to the sea all the time. I can feel the breezes. I can hear the sea birds. I can smell the seawater.
Some people say life is like climbing a mountain and that we struggle ever upward, surmounting obstacle after obstacle, until at last, after always ascending, we finally reach the summit. “Song for Lost Youth” turns that metaphor on its head and describes life as a descent instead, a headlong plunge that finds us cascading from the dizzying heights, ever downward, to the inevitable place where we join all who have come before us and all who will come after.
You have to hand it to poets. They can come up with some nifty metaphors.
For example, William Wordworth (1770 - 1850) wrote the following in “Ode on Intimations of Immortality From Recollections Of Early Childhood” about birth:
“Our birth is but a sleep and a forgetting:
The Soul that rises with us, our life’s Star,
Hath had elsewhere its setting,
And cometh from afar:
Not in entire forgetfulness,
And not in utter nakedness,
But trailing clouds of glory do we come
From God, who is our home:
Heaven lies about us in our infancy!”
...and William Cullen Bryant (1794 - 1878) wrote in “Thanatopsis” about death:
“So shalt thou rest -- and what if thou withdraw
In silence from the living, and no friend
Take note of thy departure? All that breathe
Will share thy destiny. The gay will laugh
When thou art gone, the solemn brood of care
Plod on, and each one as before will chase
His favorite phantom; yet all these shall leave
Their mirth and their employments, and shall come
And make their bed with thee. As the long train
Of ages glides away, the sons of men--
The youth in life’s fresh spring, and he who goes
In the full strength of years, matron and maid,
The speechless babe, and the gray-headed man--
Shall one by one be gathered to thy side,
By those, who in their turn, shall follow them.
So live, that when thy summons comes to join
The innumerable caravan, which moves
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not, like the quarry-slave at night,
Scourged to his dungeon, but, sustained and soothed
By an unfaltering trust, approach thy grave
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams.”
All that having been said, all those metaphors having gone under the bridge or over the dam or nighty-night to bed or down the trail with the camels (pick one), I hope to keep on breathing until I am 108 and outlive the lot of you.
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